Thuraya Baghdadi reclaims her image from the archive of love in “Souraya Mon Amour”

Nidaa Al Watan: Many of us, lovers of Lebanese cinema—and specifically the cinema of Maroun Baghdadi—have long paused over his films, reflected on their worlds and characters, and wondered what was happening behind the camera, in the intimate space separating life from film. But another question continued to accompany our curiosity: Who was the woman who…